Lucrecia Dalt - The Baby (Original Score) (2022)

 

Artist: Lucrecia Dalt
Title: The Baby (Original Score)
Year: 2022 Invada Records
Genre: Soundtrack
Quality: Hi-Res / 24bit-44.1 KHz

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1. Opening Titles
2. How Many Lydias
3. Ahem
4. Alinda
5. I'm Falling Upright
6. Porcelana UFO
7. Wolf Hour
8. Crash Crash Baby
9. Donde Donde Donde
10. Day Zero
11. She Cries
12. Enke
13. Susta Susta
14. Oguere Scape I
15. Mareterna
16. Scattered Mysteries
17. Lesley
18. The Pillow
19. Scattered Cookies
20. He Is Alive
21. The Chase
22. Lafayetta
23. Her Throat
24. Breath Creeps
25. Bloody Shelves
26. Oguere Scape II
27. Zuca
28. Sempiterni

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Lucrecia Dalt. synths, vocals, vocoders, processing; Alex Lázaro. Drums, percussion, vocals; Audrey Chen. Vocals on tracks 6, 21, and 28; Cynthia Pitsiulak. Vocals on tracks 8, 13, 20, 23; Edith Steyer. Clarinet; Isabel Rößler. Upright bass; Gibrana Cervantes. Violin. >>>>>>> Dalt has just finished scoring horror-comedy show The Baby for HBO – Mashable made positive note of the ways her ‘disconcerting’ soundscape built tension – and has just released her debut score for Sam Walker’s 2021 ‘bodily horror’ movie The Seed on Invada Records. There’s no ‘lost opportunity’ regarding either of these. “When I find directors who want to have the score present and loud, who want audiences to feel with the score and remember it – that is pure joy for me because it's like, ‘OK, now I can offer something.’” The creators of The Baby wanted something memorable, and for Dalt, this meant using ‘bodily sounds, vocal sounds, weird voices and stuff’. She was already using glossolalia on her 2020 RVNG release No era sólida – and when the pandemic hit she decided to see what else she could do with her voice. It was research that came in handy once she’d finished the score for The Seed and started work on The Baby. “Most of the references that the creators sent me were already in this document where I was compiling stuff about what the voice can do. So I was really excited to bring a little bit of that knowledge and the music that I was finding, and all that as inspiration to work on the show.”